Adélaïde Labille-Guiard: Malsamoj inter versioj

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aldono
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En [[1769]] ŝi edziĝis kun Louis-Nicolas GUIARD, sed ili apartiĝis en [[1777]], post kiam ŝi gajnis ŝian vivtenon instruante pentradon.
 
Je la {{dato|31|majo|1783}} Labille-Guiard aniĝis la francan "Reĝan Akademion pri Pentrado kaj Skulpturo" (''Académie Royale de Peinture et de Sculpture''), samtempe kiel tri aliaj pentristinoj, inkluzive de [[Marie Louise Élisabeth VIGÉE-LEBRUN]] kies "Memportreto kun pajloĉapelo" ege influis ŝian fruan majstroverkon "Memportreto kun du lernantinoj" (bildigata dekstren).
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==Verkaro==
==Eksteraj ligiloj==
{{el2|www.ladyreading.net/labille-guiard/home.html|Arto de Adélaïde Labille-Guiard}}
{{el2|www.siefar.org/DictionnaireSIEFAR/SFLabille-Guiard.html|Biografio de Adélaïde Labille-Guiard}} el la TTT-ejo de la ''Société Internationale pour l'Étude des Femmes de l'Ancien Régime''
 
[[kategorio:Francaj pentristoj|LABILLE-GUIARD ADELAIDE]]
[[en:Adélaïde Labille-Guiard]]
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On [[May 31]], [[1783]], Labille-Guiard was accepted as a member of France's ''[[Académie Royale de Peinture et de Sculpture]]''. Three other women painters, including [[Marie Louise Élisabeth Vigée-Lebrun]], were admitted on the same day. Labille-Guiard and Vigée-Lebrun were often compared by critics, with Vigée-Lebrun usually getting the more favourable notices. Labille-Guiard's early masterpiece ''Self-portrait with two pupils'', exhibited at the [[Paris Salon]] in [[1785]], was influenced by Vigée-Lebrun's [[:Image:Vigee-Lebrun1782.jpg|''Self-portrait with a straw hat'']], painted c. [[1782]].
 
The patronage of [[Marie Adélaïde, Madame Quatrième|Adélaïde]], aunt of [[Louis XVI of France]], gained Labille-Guiard a government pension of 1,000 [[livre tournois|livres]], and commissions to paint Adélaïde, her sister Victoire-Louise, and [[Élisabeth Philippine Marie Hélène of France|Élisabeth]], the king's sister. The portrait of Adélaïde, exhibited in [[1787]], was Labille-Guiard's largest and most ambitious work to date. In [[1788]] she was commissioned by the king's brother, the [[Count of Provence]] (later [[Louis XVIII of France]]) to paint him at the centre of a large historical work, ''Réception d'un chevalier de Saint-Lazare par Monsieur, Grand maître de l'ordre''.
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