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Ili ludis unuafoje en reĝistrostudio Decembre en 1964, sen la ĉeesto de Wright, kiu estis paŭzanta de siaj studadoj. Per unu el siaj amikoj, kiu lasis ilin profiti senpage de iom da neaktiva tempo, ili sukcesis sekurigi al si registradan kunsidon ĉe studio en Uesta Hampstead. Ĉi tiu kvarkanzona sesio iĝis unua montra registrado de The Tea Set, kaj entenis la songojn "I'm A King Bee", klasikan de l'ĝenro [[ritmenbluso]], du originalajn de Syd Barrett: "Butterfly" kaj "Lucy Leave", kaj "Double O Bo", grupan komponaĵon kiu-laŭ Mason-estis "[[Boo Diddley]] renkontanta temon de filmo de 007".
The Pink Floyd Sound iĝis stabile la gasta bando ĉe la Countdown Klubo apud [[Kensington High Street| Kensington Avenuo]] en Londono, kie ekde malfrua nokto ĝis frumatene ludadis tri prezentojn de 90 minutoj. Laŭ Mason, ĉi epoko "...&nsbp;estis la komenco de plena elpercepto, ke kanzonoj povis esti plivastigitaj per longaj soloj."
<!-- The Pink Floyd Sound became the resident band at the Countdown Club near [[Kensington High Street]] in London, where from late night until early morning they played three sets of 90 minutes. According to Mason, this period "... was the beginning of a realisation that songs could be extended with lengthy solos."<ref>{{Harvnb|Mason|2005|p=30}}</ref> An audition for [[ITV]]'s ''[[Ready Steady Go!]]'' soon followed (they were invited by the programme's producers to return the following week), as did another club, and two rock contests. After pressure from his father and advice from his college tutors, Bob Klose quit Pink Floyd in 1966,<ref>{{Harvnb|Mason|2005|pp=29–32}}</ref> and Barrett took over on lead guitar.<ref>{{Harvnb|Blake|2008|p=45}}</ref> Playing mostly [[rhythm and blues]] songs, they began to receive paid bookings, including one for a performance at the [[Marquee Club]] in March 1966, where they were watched by [[Peter Jenner]]. A lecturer at the [[London School of Economics]], Jenner was impressed by the acoustic effects Barrett and Wright created,<ref>{{Harvnb|Mason|2005|pp=33–37}}</ref> and with his business partner and friend [[Andrew King (music manager)|Andrew King]] became their manager.<ref>{{Harvnb|Schaffner|1991|p=17}}</ref> Although the pair had little experience of the [[music industry]], they used inherited money to set up [[Blackhill Enterprises]], and purchased new instruments and equipment for the band, including a [[The Selmer Company|Selmer]] PA system.<ref name="Schaffnerpp3233">{{Harvnb|Schaffner|1991|pp=32–33}}</ref> Under their guidance, at venues including All Saints Hall and The Marquee, the band became part of London's [[underground music]] scene.<ref>{{Harvnb|Mason|2005|pp=50–51}}</ref> While performing at the Countdown Club the band had experimented with long instrumental excursions, and they began to expand upon these with rudimentary but visually powerful light shows, projected by coloured slides and domestic lights.<ref>{{Harvnb|Schaffner|1991|p=34}}; -->
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