Bluso: Malsamoj inter versioj
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Linio 97:
====Urba bluso====
Stiloj de urba bluso estis pli kodigitaj kaj prilaboritaj, ĉar muzikisto jam ne plu estis ene de sia ejo, propra komunumo, kaj devis adaptiĝis al estetiko de pli granda, pli varia publiko.<ref name="qzdblv">Garofalo, p. 47.</ref> La kantistoj de klasika bluso de urbaj virinoj kaj [[vodevilo]] estis tre popularaj en la 1920-aj jaroj, inter kiuj "la tri
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In 1920 the vaudeville singer [[Lucille Hegamin]] became the second black woman to record blues when she recorded "The Jazz Me Blues".<ref>Stewart-Baxter, Derrick (1970). ''Ma Rainey and the Classic Blues Singers''. New York: Stein & Day. p. 16.</ref> These recordings were typically labeled "[[race records]]" to distinguish them from records sold to white audiences. Nonetheless, the recordings of some of the classic female blues singers were purchased by white buyers as well.<ref>Steinberg, Jesse R.; Fairweather, Abrol (eds.) (2011). ''Blues: Thinking Deep About Feeling Low''. Hoboken, N.J.: Wiley. p. 159.</ref> These blueswomen's contributions to the genre included "increased improvisation on melodic lines, unusual phrasing which altered the emphasis and impact of the lyrics, and vocal dramatics using shouts, groans, moans, and wails. The blues women thus effected changes in other types of popular singing that had spin-offs in jazz, [[Broadway musical]]s, [[torch song]]s of the 1930s and 1940s, [[gospel music|gospel]], [[rhythm and blues]], and eventually [[rock and roll]]."<ref>Harrison, Daphne Duval (1988). ''Black Pearls: Blues Queens of the '20s''. New Brunswick: Rutgers University Press. p. 8.</ref>
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