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==Domeno Domo kaj Domo Schwob (1914–1918)==
<!--[[File:Charles-Édouard Jeanneret (Le Corbusier), 1914-15, Maison Dom-Ino.jpg|thumb|left|Charles-Édouard Jeanneret, 1914–15, [[Domeno Domo]].]]
-->Dum la [[Unua Mondmilito]], Le Corbusier instruis en sia iama lernejo en La-Chaux-de-Fonds. Li koncentriĝis en teoriaj arkitekturaj studoj uzante modernajn teknikojn.<ref name="Choay">{{cite book|last=Choay|first=Françoise|title=Le Corbusier|url=https://openlibrary.org/works/OL8322926W/Le_Corbusier|year=1960|pages=10–11|publisher=George Braziller, Inc.|isbn=0-8076-0104-7|subscription=yes}}</ref> En Decembro 1914, kun la inĝeniero Max Dubois, li komencis seriozan studon de la uzado de plifortigita betono kiel [[konstrumaterialo]]. Li jam estis malkovrinta la betonan laboron kun Auguste Perret en Parizo, sed nun li volis uzi ĝin laŭ novaj vojoj.
"ReinforcedPlifortigita concretebetono providedhavigis meal withmi incrediblenekredeblajn resourcesrimedojn," heli wroteskribis laterposte, "andkaj varietyvarion, andkaj apasiecan passionateplastikecon plasticitylaŭ inkiuj whichper bysi themselvesmem mymiaj structuresstrukturoj willestos beritmo rhythmde of a palacepalaco, and akaj PompieenPompeja tranquilitytrankvileco.".<ref>LetterLetero toal Auguste Perret (1915), citedcitita inen ''Lettres a ces Maitres'', vol. 1, p. 33.</ref> Tio Thiskondukis ledlin himal tolia hisplano planpor for thela [[Dom-ino House|Dom-InoDomeno HouseDomo]] (1914–15). ThisTiu modelmodelo proposedproponis anmalferman openplankoplanon floorkonsistanta planel consistingtri ofbetonaj threelamenoj concretesubtenitaj slabsde supportedses byfajnaj sixkolonoj thinel [[reinforced concrete columnŝtalbetono]]s, withkun aŝtuparo stairwaykiu providinghavigu accessaliron toal eachĉiu levelnivelo onen oneunu sideflanko of thede floorla planplankoplano.<ref name="Tim Benton">Tim Benton, ''Les Villas de Le Corbusier 1920–1929'', Philippe Sers éd. Paris, 1987.</ref> TheTiu systemsistemo wasestis originallyorigine designeddezajnita topor providehavigi largegrandajn numbersnombrojn ofde temporaryportempaj residencesloĝejoj afterpost Worldla WarUnua IMondmilito, producingproduktante onlynur slabslamenojn, columnskolonojn andkaj stairwaysŝtuparojn, andkaj residentsla couldloĝantoj buildpovus exteriorkonstrui walllsla witheksterajn themurojn materialspere aroundde theproksimaj sitematerialoj. HeLi describedpriskribis itĝin inen hissia patentpatenta applicationformularo askiel "aapudigebla juxtiposablesistemo systemde ofkonstruado constructionlaŭ accordingsenfina tonombro ande infinitekombinoj numberde of combinations of plansplanoj. Tio This would permitpermesus, heli wroteskribis, "thela constructionkonstruadon of thede dividingla wallsdividomuroj atje anyajna pointpunkto onsur thela façadefasado oraŭ thela interiorinterno."
[[File:CF05.jpg|thumb|La domo Anatole Schwob en La-Chaux-de-Fonds (1916–1918).]]
Laŭ tiu sistemo, la strukturo de la domo ne aperos ekstere, sed povus esti kaŝita malantaŭ vitra muro, kaj la interno povus esti aranĝita iel ajn kiel la arkitekto dezirus.<ref>Citita de Turner, Paul, "La Formation de Le Corbusier", Paris, Macula, 1987, p. 218.</ref> Post ĝi estis patentita, Le Corbusier desegnis nombrajn domojn laŭ tiu sistemo, kiuj estis ĉiuj blankaj betonaj skatoloj. Kvankam kelkaj el tiuj estis neniam konstruitaj, ili montris liajn bazajn arkitekturajn ideojn kiuj dominos liajn verkojn laŭlonge de la 1920-aj jaroj. Li rafinis la ideon en sia libro de 1927 nome ''Five Points of a New Architecture'' (Kvin punktoj de nova arkitekturo, vidu sube apartan ĉapitron). Tiu dezajno, kiu alvokis al la disasociigo de la strukturo el la muroj, kaj al la libereco de planoj kaj fasadoj, iĝis la fundamento por plej el lia arkitekturo de la venontaj dek jaroj.{{Sfn|Journel|2015|page=50–51}}
Under this system, the structure of the house did not have to appear on the outside, but could be hidden behind a glass wall, and the interior could be arranged in any way the architect liked.<ref>cited by Turner, Paul, "La Formation de Le Corbusier", Paris, Macula, 1987, p. 218.</ref> After it was patented, Le Corbusier designed a number of houses according to the system, which were all white concrete boxes. Although some of these were never built, they illustrated his basic architectural ideas which will dominate his works throughout the 1920s. He refined the idea in his 1927 book on the ''Five Points of a New Architecture''. This design, which called for the disassociation of the structure from the walls, and the freedom of plans and façades, became the foundation for most of his architecture over the next ten years.{{Sfn|Journel|2015|page=50–51}}
InEn AugustAŭgusto 1916, Le Corbusier receivedricevis hissian largestplej commissiongrandan evermendon ĝis tiam, to construct a villa for the Swiss watchmaker Anatole Schwob, for whom he had already completed several small remodeling projects. He was given a large budget and the freedom to design not only the house, but also to create the interior decoration and choose the furniture. Following the precepts of Auguste Perret, he built the structure out of reinforced concrete and filled the gaps with brick.The center of the house is a large concrete box with two semicolumn structures on both sides, which reflects his ideas of pure geometrical forms. A large open hall with a chandelier occupied the center of the building. "You can see," he wrote to Auguste Perret in July 1916, "that Auguste Perret left more in me than Peter Behrens."<ref>cited in ''Lettres a css maitres'', vol. 1, p. 181.</ref> ▼
▲In August 1916, Le Corbusier received his largest commission ever, to construct a villa for the Swiss watchmaker Anatole Schwob, for whom he had already completed several small remodeling projects. He was given a large budget and the freedom to design not only the house, but also to create the interior decoration and choose the furniture. Following the precepts of Auguste Perret, he built the structure out of reinforced concrete and filled the gaps with brick.The center of the house is a large concrete box with two semicolumn structures on both sides, which reflects his ideas of pure geometrical forms. A large open hall with a chandelier occupied the center of the building. "You can see," he wrote to Auguste Perret in July 1916, "that Auguste Perret left more in me than Peter Behrens."<ref>cited in ''Lettres a css maitres'', vol. 1, p. 181.</ref>
Le Corbusier's grand ambitions collided with the ideas and budget of his client, and led to bitter conflicts. Schwob went to court and denied Le Corbusier access to site, or the right to claim to be the architect. Le Corbusier responded, "Whether you like it or not, my presence is inscribed in every corner of your house." Le Corbusier took great pride in the house, and reproduced pictures in several of his books.{{Sfn|Journel|2015|page=50}}
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