Rembranto: La Juda Novedzino
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Artisto/Kreinto |
Rembranto
(1606–1669) |
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Alternativaj nomoj |
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
Priskribo |
nederlanda pentristo, art-presisto kaj desegnisto |
Dato de naskiĝo/morto |
la 15-a de julio 1606 |
la 4-a de oktobro 1669 |
Loko de naskiĝo/morto |
Leiden |
Amsterdamo |
Laborperiodo |
proksimume de 1625 ĝis 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902 |
Loko de laboro |
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Norma datumaro |
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artist QS:P170,Q5598 |
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Titolo |
Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’ |
Object type |
pentraĵo |
Ĝenro |
portreto |
Depicted people |
Isaak |
Dato |
inter 1662 kaj 1666 date QS:P571,+1662-00-00T00:00:00Z/8,P1319,+1662-00-00T00:00:00Z/9,P1326,+1666-00-00T00:00:00Z/9 |
Medio |
oleo sur tolo medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensioj |
alto: 121,5 cm; larĝo: 166,5 cm dimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 |
Kolekto |
Rijksmuseum
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Native name |
Rijksmuseum Amsterdam |
Location |
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Coordinates |
52° 21′ 36″ No, 4° 53′ 07″ Or |
Established |
1800 |
Retejo |
rijksmuseum.nl |
Norma datumaro |
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institution QS:P195,Q190804 |
Loko |
Gallery of Honour |
Akirnumero |
SK-C-216 |
Loko de kreado |
Amsterdamo |
Historio de objekto |
ne post 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Vaillant (Probable Christiaan Everhard Vaillant (1746-1829)), Amsterdamo
1825: purchased by John Smith (art-komercisto), Londono, from Vaillant, Amsterdam for 5 000 NLG
de la 2-a de majo 1828 al la 3-a de majo 1828date QS:P,+1828-05-00T00:00:00Z/10,P580,+1828-05-02T00:00:00Z/11,P582,+1828-05-03T00:00:00Z/11 : sale of the collection of John Smith at Stanley, Londono, lot no. 67,, for 420 GBP (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)
julio 1833 (?): purchased by Albertus Brondgeest from Smith for Adriaan van der Hoop (1778-1854), Amsterdam for 6 825 NLG
1854: bequeathed to the city of Amsterdam, Inventory number SA 8292, by Adriaan van der Hoop, Amsterdam
la 30-a de junio 1885: lent to the Rijksmuseum Amsterdamo, Amsterdam, Inventory number SK-C-216, by the city of Amsterdam
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Exhibition history |
Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Amsterdamo, la 8-a de septembro 1898–novembro 1898, kat. no. 119.
Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, la 11-a de junio 1932–la 4-a de septembro 1932, kat. no. 40.
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdamo, la 18-a de majo 1956–la 5-a de aŭgusto 1956, Museum Boijmans Van Beuningen, Roterdamo, la 8-a de aŭgusto 1956–la 21-a de oktobro 1956, OCLC 15659340, kat. no. 96.
Rembrandt 1669/1969, Rijksmuseum, Amsterdam, la 13-a de septembro 1969–la 30-a de novembro 1969, kat. no. 22.
Rembrandt-Caravaggio, la 24-a de februaro 2006–la 18-a de junio 2006, Van Gogh Museum, Amsterdamo, Cat.no. 29.
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Surskribaĵoj |
Subskribo kaj dato :
Rembrandt f. 16[..]
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Referenco |
AnonimuloUnknown author, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, ĉirkaŭ 1665 date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 -ĉirkaŭ 1669date QS:P,+1669-00-00T00:00:00Z/9,P1480,Q5727902 , alto: 121,5 cm; larĝo: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnonimuloUnknown author, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, alto: 121,5 cm; larĝo: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnonimuloUnknown author, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, alto: 121,6 cm; larĝo: 166,4 cmdimensions QS:P2048,121.6U174728 dimensions QS:P2049,166.4U174728
AnonimuloUnknown author, Bildindex der Kunst und Architektur, object 20186112, kiel Das Brautpaar (Die Judenbraut), post 1665date QS:P,+1665-00-00T00:00:00Z/7,P1319,+1665-00-00T00:00:00Z/9 , alto: 121,5 cm; larĝo: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728
AnonimuloUnknown author, Web Gallery of Art, kiel The Jewish Bride, ĉirkaŭ 1665date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 , alto: 122 cm; larĝo: 167 cmdimensions QS:P2048,122U174728 dimensions QS:P2049,167U174728 .
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ». |
Norma datumaro |
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Fonto/Fotisto |
www.rijksmuseum.nl : Home : Info |
Ceteraj versioj |
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