Bluso: Malsamoj inter versioj
| [kontrolita revizio] | [kontrolita revizio] |
Enhavo forigita Enhavo aldonita
Kani (diskuto | kontribuoj) |
Kani (diskuto | kontribuoj) |
||
Linio 87:
En la 1920-aj jaroj, bluso iĝis ĉefa elemento de afrikusona kaj usona ĝenerale popolmuziko, kaj atingis blankan publikon pere de la aranĝoj fare de Handy kaj pere de la klasikaj bluskantistinoj. Bluso evoluis el neformalaj ludoj en trinkejoj al distraj spektakloj en teatroj. Blusistoj estis organizitaj de la [[Theater Owners Bookers Association]] en [[noktoklubo]]j kiaj la [[Cotton Club]] kaj ''[[juke joint]]''-oj kiel tiuj laŭlonge de la strato Beale en [[Memphis]]. Kelkaj registrokompanioj, kiaj la [[American Record Corporation]], [[Okeh Records]], kaj [[Paramount Records]], elregistris afrik-usonan muzikon.
{{redaktata}}▼
As the recording industry grew, country blues performers like [[Bo Carter]], [[Jimmie Rodgers (country singer)]], [[Blind Lemon Jefferson]], [[Lonnie Johnson (musician)|Lonnie Johnson]], [[Tampa Red]] and [[Blind Blake]] became more popular in the African American community. Kentucky-born [[Sylvester Weaver (musician)|Sylvester Weaver]] was in 1923 the first to record the [[slide guitar]] style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle.<ref>{{cite web|url=http://members.aye.net/~kbsblues/awards.htm#Weaver|title=Kentuckiana Blues Society|accessdate=September 26, 2008}}</ref> The slide guitar became an important part of the [[Delta blues]].<ref name="bkihns">Clarke, p. 138.</ref> The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues.▼
▲
Country blues performers often improvised, either without accompaniment or with only a banjo or guitar. Regional styles of country blues varied widely in the early 20th century. The (Mississippi) Delta blues was a rootsy sparse style with passionate vocals accompanied by slide guitar. The little-recorded [[Robert Johnson (musician)|Robert Johnson]]<ref>Clarke, p. 141.</ref> combined elements of urban and rural blues. In addition to Robert Johnson, influential performers of this style included his predecessors [[Charley Patton]] and [[Son House]]. Singers such as [[Blind Willie McTell]] and [[Blind Boy Fuller]] performed in the southeastern "delicate and lyrical" [[Piedmont blues]] tradition, which used an elaborate ragtime-based [[fingerpicking]] guitar technique. Georgia also had an early slide tradition,<ref>Clarke, p. 139.</ref> with [[Curley Weaver]], [[Tampa Red]], [[Barbecue Bob|"Barbecue Bob" Hicks]] and [[Kokomo Arnold|James "Kokomo" Arnold]] as representatives of this style.<ref>{{cite AV media notes|title=The Georgia Blues 1927–1933|last1=Calt|first1=Stephen|last2=Perls|first2=Nick|last3=Stewart|first3=Michael|publisher=[[Yazoo Records]]|id=L-1012|location=New York|type=LP back cover notes|url=http://www.wirz.de/music/yazoo/grafik/1012b4.jpg}}</ref>▼
▲{{redaktata}}
▲
The lively [[Memphis blues]] style, which developed in the 1920s and 1930s near [[Memphis, Tennessee]], was influenced by [[jug band]]s such as the [[Memphis Jug Band]] or the [[Gus Cannon|Gus Cannon's Jug Stompers]]. Performers such as [[Frank Stokes (musician)|Frank Stokes]], [[Sleepy John Estes]], [[Robert Wilkins]], [[Joe McCoy]], [[Casey Bill Weldon]] and [[Memphis Minnie]] used a variety of unusual instruments such as [[washboard (musical instrument)|washboard]], [[Musical styles (violin)#Fiddle|fiddle]], [[kazoo]] or [[mandolin]]. Memphis Minnie was famous for her [[virtuoso]] guitar style. Pianist [[Memphis Slim]] began his career in Memphis, but his distinct style was smoother and had some swing elements. Many blues musicians based in Memphis moved to Chicago in the late 1930s or early 1940s and became part of the urban blues movement.<ref>{{cite AV media notes|title=10 Years In Memphis 1927–1937|last=Kent|first=Don|authorlink=Don Kent (collector)|publisher=[[Yazoo Records]]|id=L-1002|year=1968|location=New York|type=vinyl back cover|url=http://www.wirz.de/music/yazoo/grafik/1002b4.jpg}}</ref><ref>{{cite AV media notes|title=Memphis Jamboree 1927–1936|last1=Calt|first1=Stephen|last2=Perls|first2=Nick|last3=Stewart|first3=Michael|publisher=[[Yazoo Records]]|id=L-1021|year=1970|location=New York|type=vinyl back cover
| |||