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===1980-aj jaroj ĝisnune===
[[File:Zucchero 01 trim.jpg|thumb|upright|upright=0.9|Itala kantisto [[Zucchero Fornaciari|Zucchero]] estas konsiderata kiel la "''Patro de la Itala Bluso''", kaj estas inter la malmultaj eŭropaj blusartistoj kiuj ankoraŭ ĝuas grandan internacian sukceson.<ref>{{cite book |last=Dicaire |first=David |date=2001 |title=More Blues Singers: Biographies of 50 Artists from the Later 20th Century |url=https://books.google.hr/books?id=SPvhCgAAQBAJ |publisher=McFarland |pages=232–248 |isbn=9780786410354}}</ref>]]
Ekde la 1980-aj jaroj estis reapero de intereso in bluso inter ia parto de la afrik-usona loĝantaro, partikulare ĉirkaŭ [[Jackson (Misisipio)]] kaj aliaj regionoj de la [[Profunda Sudo]]. Ofte termigita kiel "[[soula bluso]]" aŭ "[[Sudusona soulo]]", la muziko ĉe la kerno de tiu movado ricevis novan vivon pro la neatendita sukceso de du partikularaj diskoj de la Jackson-a firmao [[Malaco Records|Malaco]]:<ref>{{cite web|url=http://www.visitmississippi.org/press_news/Malaco%20Blues%20Marker%20April%208.pdf |title=Malaco Records to be honored with blues trail marker |author=Martin, Stephen |publisher=Mississippi Development Authority |date=3a de Aprilo, 2008 |accessdate=28a de Aŭgusto, 2008 |deadurl=yes |archiveurl=https://web.archive.org/web/20080910032302/http://www.visitmississippi.org/press_news/Malaco%20Blues%20Marker%20April%208.pdf |archivedate=10a de Septembro, 2008 }}</ref> nome de [[Z. Z. Hill]] ''Down Home Blues'' (1982) kaj de [[Little Milton]] ''The Blues is Alright'' (1984). Tiutempaj afrik-usonaj muzikistoj kiuj laboris en tiu stilo de bluso estis [[Bobby Rush (muzikisto)|Bobby Rush]], [[Denise LaSalle]], [[Sir Charles Jones]], [[Bettye LaVette]], [[Marvin Sease]], [[Peggy Scott-Adams]], Mel Waiters, [[Clarence Carter]], Dr. "Feelgood" Potts, O.B. Buchana, Ms. Jody, [[Shirley Brown]], kaj dudekoj de aliaj.
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During the 1980s blues also continued in both traditional and new forms. In 1986 the album ''[[Strong Persuader]]'' announced [[Robert Cray]] as a major blues artist. The first [[Stevie Ray Vaughan]] recording ''[[Texas Flood]]'' was released in 1983, and the Texas-based guitarist exploded onto the international stage. [[John Lee Hooker]]'s popularity was revived with the album ''[[The Healer (album)|The Healer]]'' in 1989. [[Eric Clapton]], known for his performances with [[John Mayall & the Bluesbreakers|the Blues Breakers]] and [[Cream (band)|Cream]], made a comeback in the 1990s with his album ''[[Unplugged (Eric Clapton album)|Unplugged]]'', in which he played some standard blues numbers on acoustic guitar.
 
Dum la 1980-aj jaroj bluso plue populariĝis kaj en tradiciaj kaj en novaj formoj. En 1986 la albumo ''Strong Persuader'' anoncis la starigon de [[Robert Cray]] kiel ĉefa blusartisto. La frua disko de [[Stevie Ray Vaughan]] nome ''Texas Flood'' estis publikigita en 1983, kaj la Teksasa gitaristo enrompis en la internacia scenejo. La populareco de [[John Lee Hooker]] estis revigita per la albumo ''The Healer'' en 1989. [[Eric Clapton]], konata pro siaj aperoj kun [[John Mayall & the Bluesbreakers|Blues Breakers]] kaj [[Cream (bando)|Cream]], revenis en la 1990-aj jaroj per sia albumo ''Unplugged'', en kiu li ludis kelkajn tipajn bluspecojn per akustika gitaro.
However, beginning in the 1990s, [[digital recording|digital multitrack recording]] and other technological advances and new marketing strategies including [[video clip]] production increased costs, challenging the spontaneity and improvisation that are an important component of blues music.<ref>Aldin, Mary Katherine. In ''Nothing but the Blues''. p. 130.</ref>
 
Tamen, komence en la 1990-aj jaroj, la cifereca multrela registrado kaj aliaj teknologiaj antaŭeniroj kaj novaj merkataj strategioj kiel la populara produktado de [[filmeto]]j pliigis kostojn, defie de la spontaneco kaj de improvizado kiuj estas grava komponanto de blusmuziko.<ref>Aldin, Mary Katherine. In ''Nothing but the Blues''. p. 130.</ref>
[[File:Denise-LaSalle-2009-Monterey.jpg|thumb|left|upright=0.8|Denise LaSalle]]
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InEn thela 1980s1980-aj andkaj 1990s1990-aj jaroj, blues publications suchbluspublikaĵoj askiel ''[[Living Blues]]'' and ''[[Blues Revue]]'' were launched, major cities began forming blues societies, outdoor blues festivals became more common, and<ref>{{cite web|url=http://blues.about.com/od/bluesfestivals/ |title=Blues – By Category |publisher=[[About.com]] |accessdate=October 15, 2010 |deadurl=yes |archiveurl=https://web.archive.org/web/20061013052802/http://blues.about.com/od/bluesfestivals/ |archivedate=October 13, 2006 }}</ref> more [[nightclub]]s and venues for blues emerged.<ref>{{cite web|url=http://blues.about.com/cs/venues/ |title=About.com |accessdate=October 15, 2010 |deadurl=yes |archiveurl=https://web.archive.org/web/20091005231809/http://blues.about.com/cs/venues/ |archivedate=October 5, 2009 }}</ref>
 
In the 1990s, the largely ignored [[hill country blues]] gained minor recognition in both blues and [[alternative rock]] music circles with northern Mississippi artists [[R. L. Burnside]] and [[Junior Kimbrough]].<ref name="msbluestrail1"/> Blues performers explored a range of musical genres, as can be seen, for example, from the broad array of nominees of the yearly [[Blues Music Awards]], previously named W. C. Handy Awards<ref>{{cite web|title=Blues Music Awards information |url=http://www.blues.org/bluesmusicawards/ |accessdate=November 25, 2005 |deadurl=yes |archiveurl=https://web.archive.org/web/20060429073938/http://www.blues.org/bluesmusicawards/ |archivedate=April 29, 2006 |df= }}</ref> or of the [[Grammy Award for Best Contemporary Blues Album|Grammy Awards for Best Contemporary]] and [[Grammy Award for Best Traditional Blues Album|Traditional Blues Album]]. The Billboard Blues Album chart provides an overview of current blues hits. Contemporary blues music is nurtured by several blues labels such as: [[Alligator Records]], [[Ruf Records]], [[Severn Records]], [[Chess Records]] ([[Music Corporation of America|MCA]]), [[Delmark Records]], [[NorthernBlues Music]], [[Fat Possum Records]] and [[Vanguard Records]] (Artemis Records). Some labels are famous for rediscovering and remastering blues rarities, including [[Arhoolie Records]], [[Smithsonian Folkways Recordings]] (heir of [[Folkways Records]]), and [[Yazoo Records]] ([[Shanachie Records]]).<ref>{{cite web|url=http://blues.about.com/cs/recordlabels |title=About.com |accessdate=October 15, 2010 |deadurl=yes |archiveurl=https://web.archive.org/web/20091006073604/http://blues.about.com/cs/recordlabels/ |archivedate=October 6, 2009 }}/</ref>
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