Maurice Pialat: Malsamoj inter versioj

Pialat naskiĝis en [[Cunlhat]], [[Puy-de-Dôme]], [[Francio]]. Li dekomence klopodis iĝi pentristo, sed ne sukcesis.<ref name="Lightning" >[https://web.archive.org/web/20080724175740/http://www.filmlinc.com/fcm/5-6-2004/pialatintro.htm Lightning in a Bottle] Arkivita en 2008-07-24 en Wayback Machine el Film Comment. Alirita la 13an de majo 2020. </ref> Akirinta kameraon estante 16-jaraĝa, li elturniĝis por [[dokumenta filmo|dokumentaj filmoj]] antaŭ fari sian unuan elstaran kurton, ''L'amour existe'', en 1960.

Pialat camevenis toal filmmakinglongaj latefilmoj malfrue. HeLi directedreĝisoris hissian feature-lengthdebutan debut,filmon de [[1969's]] nome ''L'enfance nue'' (The NakedNuda Childhoodinfanaĝo) atestante agejam 44-jaraĝa. TheTiu filmfilmo, whichkiu wasestis cokun-producedproduktorita de la fama reĝisoro de byla French[[Franca NewNova WaveOndo]] directornome [[François Truffaut]], wonricevis thela PrixPremion Jean Vigo.

DuringDum hissia 35-yearjara careerkariero, Pialat completedfaris tendek majorplej featuresgravajn filmojn, manymultaj ofel which—mostkiuj notably— Loulou—haveĉefe been''Loulou'' interpreted— asestis autobiographicalinterpretita kiel membiografia.<ref>[4https://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/deep-focus/maurice-pialat-french-realist-complete-career-retrospective-overview "Maurice Pialat: the man who changed French cinema",] He[[Sight directed& Sound]], 18a de oktobro 2019. Alirita la 13an de majo 2020. </ref> Li reĝisoris [[Gérard Depardieu]] inen fourkvar filmsfilmoj: ''Loulou'', ''Police'', ''Sous le soleil de Satan'' (UnderSub thesatana Sun of Satanĉielo), forpro whichkiu Pialat wonricevis thela Palme d'Or at the 1987 Cannes Film Festival, andkaj ''Le Garçu'' (1995).

In a posthumous tribute written for the French film magazine Positif, critic Noël Herpe called Pialat's style "a naturalism that was born of formalism".[2] In English-language film criticism, he is often compared to his American contemporary John Cassavetes.[3]<ref name="Lightning" />[5]

Summarizing Pialat's stance as a filmmaker in a profile for Film Comment, critic Kent Jones wrote: "To say that Pialat marched to the beat of a different drummer is to put it mildly. In fact, he didn't really march at all. He ambled, and fuck anybody who got it into their head that they'd like to amble along with him. Or behind him. Or ahead of him."[3]<ref name="Lightning" />